
- What is keeping them up at night?
- What are they trying to accomplish?
- Where are they stuck?
- What problem continues to return without being resolved?
Musings and ruminations of life, sweet moments, what I am learning, questions I have and what I can do better...

I went back to Brasília expecting to remember.
I was not prepared for the feeling that the city remembered me.
I was back for maybe the last high school reunion for Escola Americana de Brasilia. EAB - The school had grown up. There was new paint, remodeling, and a polished surface that belonged to another generation of students. But beneath it all, I could still see the old EAB—the concrete bleachers, walls, and floors that seemed to borrow their substance from Brasília itself.
The city of Lúcio Costa and Oscar Niemeyer had always spoken in concrete: ambitious, improbable, sometimes austere, yet capable of taking shapes no one had seen before.
I found myself wondering if perhaps we had been made from some of that same material.
We had come from different countries, cultures, races, religions, and families. Brasília was still discovering what it would become, and EAB was a young school gathering students from all over the world while figuring out its own identity.
Were we somehow the missing pieces of both?
There was no internet, no cell phones, no endless stream of entertainment, and no real sports scene. There was little of the conventional city life that might have allowed us to remain strangers.
We had Brasília. We had EAB. And we had one another.
So, we built something.
Concrete gave Brasília both its structure and its visual language. EAB gave us a language of our own.
It wasn’t English or Portuguese.
It was the language of acceptance, friendship, connection, and love.
We learned to speak it not because we were alike, but perhaps because we needed one another. Our differences were not obstacles we first had to overcome. They were simply part of who we were.
There was room for a skinny kid with an Afro and puka shells. There was room for a not-so-confident kid who never had to feel solitary. There was room to be different without always having to explain the difference.
All you needed to be was yourself.
And somehow, that was always enough.
At the dinner dance, I found myself seeing someone across the room, recognizing the smile before I recognized the face, and suddenly forty years collapsed into nothing. There would be an embrace, a name spoken exactly the way I remembered it, and the strange realization that some part of us had simply been waiting to resume the conversation.
It kept happening.
A familiar laugh. A hand on my shoulder. An abraço that seemed to hold all the intervening years inside it. We remembered things about one another that had long since disappeared from our own memories. We introduced spouses and family members, told stories, filled in the missing years, and somehow picked up a conversation that had begun when we were teenagers.
How was that possible?
How could it feel as though we had never left?
We began speaking our old language again almost immediately, without practice or translation. It was there in every embrace, every remembered story, every generous introduction, and every moment when the years between us seemed to disappear.
There we were, familiar in our own skin all over again.
Of course, we had changed. We had followed different paths, built careers, raised families, and experienced joy, disappointment, tragedy, sadness, and even death. We had become people our teenage selves could not possibly have imagined.
But something between us had remained.
We had all gone on to improvise very different lives, but I could still hear something familiar underneath. The original rhythm was still there. Different melodies, perhaps, but somehow the same song.
What had we created together all those years ago?
Was it simply the intensity of being young and far from home? Was it the isolation of Brasília? Was it the experience of attending a small international school where people continually arrived and left? Or had we somehow created a kind of belonging strong enough to survive distance, silence, and time?
I am still not sure.
What I do know is that these people remembered a version of me that few others had known. They remembered me before careers, titles, children, successes, disappointments, and all the other layers adulthood eventually added.
I had not returned because an essential piece of me was missing. I had been whole all along. But through their memories, their affection, and the ease with which we found one another again, they reminded me that the person I had become at EAB had never disappeared.
They did not put me back together.
They helped me recognize the original architecture, just like those good old cement bleachers in the gym once again. They were always there.
The EAB experience had yielded good fruit. I could see it in the warmth, acceptance, and generosity of spirit surrounding me. None of us had become the same kind of person, nor should we have. But we each seemed to carry some variation of the same theme—a willingness to make room for people, to cross boundaries, and to find connection in our differences.
Perhaps that was what EAB gave us.
Not merely a place where we once belonged, but a way of helping other people belong.
Near the end of the trip, I found myself thinking again about the Candangos statue and those two figures that have followed me for so much of my life.
They do not stand alone.
They lean toward one another, each helping the other bear the weight of what they came to build.
For years, I thought of the Candangos primarily as builders—people transplanted from somewhere else who came together to construct a capital in an improbable place. That still feels like part of our story. We were also transplanted. We came from somewhere else, but together we made a life in Brasília and filled a young school with friendship, memory, and love.
But perhaps I had overlooked the most important part of the statue.
The figures are still connected.
After all these years, they are still leaning toward one another.
Maybe that is why the statue has meant so much to me. It is not simply an image of what we built then. It is an image of what somehow remains between us now.
All these years later, we are still standing—not unchanged, but recognizable. We have each carried different burdens and traveled very different roads.
But when we came together again, we remembered the language.
And just like the Candangos, we discovered that we were still leaning toward one another.
I will never forget this experience. It was a Hall of Fame memory that I will cherish forever.
I have been to a lot of baby blessings in my life. More than I can count. And somewhere along the way I noticed something that I couldn't quite explain — that they consistently do something to a room that has nothing to do with the words being spoken.
I wasn't expecting today to be any different. And then Miller happened.
There is something about a baby that functions like gravity. She doesn't argue her case. She doesn't perform or persuade. She simply arrives — fresh from somewhere the rest of us have long since forgotten — and something in the room shifts. Guards come down. Shoulders drop. People who haven't looked each other in the eye for a while find themselves standing in the same circle, smiling at the same tiny face.
Miller did that today.
I believe babies are closer to heaven than we are. Not metaphorically — I mean it in the most literal way I can manage. Their innocence isn't something they've worked for or protected. It's just what they are. And that kind of purity has a way of inviting everyone in — angels and people alike — without a single word... just a silent sweet invitation.
Today there were people in that room who needed to be there. Not just to celebrate Miller, though there was plenty of that. There were hearts that needed softening, pride that needed somewhere to go, old feelings that had been sitting in unnecessary prisons for too long. I don't think everyone who walked through the door knew that about themselves. But Miller knew. I really believe she did.
In fact — I wouldn't be surprised if before she came here she raised her little hand and said "I have to go now." Just in time. Arriving not a moment too late to remind a room full of people what actually matters. A small piece of heaven sent ahead, like a light turned on before the guests arrive.
There was a sub-theme running quietly through today that I don't want to gloss over. Forgiveness. Acceptance. The particular kind of grace that a baby makes available just by being present — because you cannot hold a grudge and hold a newborn at the same time. Something about her made the weight of whatever anyone was carrying feel a little lighter and a little less worth keeping.
That is the miracle of Miller. Not just that she is here, but when she is here. And who she gathered.
I looked at her little face and those bright blue eyes and I thought — she has already done more today than most of us manage in a month. She made people smile who needed to smile. She drew people together who needed drawing. She reminded a room full of adults, without saying a single word, who they actually are.
Alexa and Trenton — I hope that years from now you look back on this day and remember not just the words that were spoken, but who was standing in that room. And I hope you feel glad they were there. Because Miller made sure of it.
She raised her hand. She came just in time. And we are all a little better for it.
My mother struggled her whole life to feel worthy of her children. Self-doubt was her companion in a way I didn't fully understand until I got older. I used to watch it settle into her — not dramatically, but slowly, like weather moving in. It sank into her bones sometimes. I had enormous empathy for her and also, quietly, the sinking realization that some of what put it there came from us. From me.
I paid attention to that. Not because I was particularly wise. Because it was hard to watch someone you love carry something that heavy. Especially as I saw it accumulate over time.
I think about her more these days...
I guess this is what parents sign up for — though nobody tells you that clearly enough at the beginning. You love with everything you have, and it still goes sideways. Your best intentions still land wrong. You make the wrong assumptions. You impose. You overstep. You say the thing you thought would help and watch it do the opposite. You fumble, and then you fumble your recovery of the fumble. The gap between what you meant and what was received can feel impossible to close.
What I didn't understand when I was young — what took me embarrassingly long to learn — is how much damage I caused without knowing I was causing it. How many times I was the weather moving in on someone else, moving them ever closer to their wall.
My father told me once, quietly, that he was disappointed in me. I had been untruthful and he knew it. He didn't raise his voice. He didn't lecture. He just said he thought more highly of me than what he'd seen. That was all.
It felt like a kick in the gut.
I held onto my resentment for a day or two. I tried to justify myself, to build a case, to be the wronged party. I was good at that. But eventually the case collapsed because it was made of nothing, and what was left underneath was just the plain fact that I had let someone down who loved me. It took a minute. But I got there. And I got better because I wanted to get better.
A brother of mine once came to me with something he'd found out — behavior of mine that embarrassed him. I wanted to disappear. My first instinct was defensiveness, then shame, then the old question: who gave him the right? But he hadn't come to wound me. He had come because he loved me enough to say the uncomfortable thing. That distinction, between someone who wants to hurt you and someone who loves you enough to risk hurting you, took me a long time to learn to feel.
A friend once told me I was too sarcastic. That people couldn't tell when I was serious. That it was landing as disrespect even when I meant it as warmth. I was genuinely shocked. I thought I was being funny. I thought it was charming. It took me a long time sitting with that one to understand what he was actually seeing — that sarcasm, however playful the intention, can make people feel like they don't deserve a straight answer. That it can be a way of saying something cutting while claiming they didn't know so they can't be accountable or blamed. That over time it erodes the very trust you think you're building with humor. I remember an apology tour that lasted about a year with friends that had been targets.
I didn't like what I saw when I finally looked clearly. I still don't, on the days I slip back into old patterns.
But here is what I am grateful for: that they told me. That my father, my brother, my friend — none of them stayed silent to keep the peace. None of them decided I wasn't worth the discomfort of honesty. Their love came disguised as something that didn't feel like love at first. It took me time to unwrap it.
I am sorry it took so long. I am sorry for what that slowness cost them.
I don't have a tidy ending for any of this. I'm not looking for one today. Feeling a little lost but finding some comfort in the fact that I simply don't have the answers.
What I know is that love is not always recognizable in the moment it arrives. Sometimes it comes as disappointment quietly spoken. Sometimes it comes as a mirror held up by someone who didn't have to bother. Sometimes it comes as the willingness to stay in the conversation even when the conversation is hard. What is true is that everyone annoys everyone sooner or later. There isn't a domain where there isn't pain or discomfort. It doesn't exist. So, like in a movie I just saw recently, a separated couple finally came back and asked each other:
"I want to be unhappy with you. Let's be unhappy together."
I could easily replace "unhappy" with "annoying". I got things wrong. I still do. I am trying to see that clearly — not to punish myself with it, but to let it make me more patient. More humble. More willing to hear.
My mother carried more than she should have. Some of that was ours to carry for her and we didn't know it yet.
I think about her more these days...
I hope whoever reads this thinks about someone too. Someone who loved them in a way that didn't feel like love at first. Someone who was trying, imperfectly, stubbornly, to close the gap between what they meant and what was received.
The wall is real. Every parent hits it.
What I am still learning is that the wall is not the end of the story. It is just the place where the easier version of love stops working, and something harder and truer has to take over.
I'm not there yet. But I'm still trying to get up.
Just not today.
Today I will sit with my back against that wall and think about Mom more these days...
I never set out to become someone who watches Korean dramas. It sounds almost embarrassing to admit — a grown man, alone with subtitles and a bowl of cereal, completely undone by people he will never meet, speaking a language he doesn't understand. And yet here I am. Three years in, no apologies left.
The question I've been sitting with is why. Not why K-dramas are good — they often are, remarkably so. But why they reach something in me that almost nothing else does.
I think I finally know.
When I was a boy moving between countries — Colombia, Indonesia, Brazil, Portugal, wherever my father's postings took us — I developed a habit I never quite named. Whenever we left a place, I would fantasize about going back as a spirit. Not to change anything. Just to follow my friends through their lives. To watch how they grew up without me. To be present, invisibly, in the rooms I once belonged in.
That is exactly what a good K-drama feels like.
I have thought about it and have realized it is about how I relate to them and the bridge they build for me. They remind me of who I am and the life I lived. That sounds very dramatic itself... but it is true. They capture feelings I have had my whole life but not always being to express them. Is it the romances themselves? No, those can be great but often it is other elements that stand out or that spark deep seated emotions.
I believe that the magic of a good K drama is in the writing first. These writers to me are poets.... They somehow capture the eloquence of the almost. That hand that reaches but doesn't quite grasp. The emotions that are felt completely but spoken only in the last episode or never at all. There is this amazing natural tension between restraint and longing - which I feel I always experienced when I left a country that I lived in. The suffering carried alone until it can't be anymore. I never understood what to do with all the emotions I carried from friendships after leaving. I would often fantasize about time travel to go back or to follow my friends like a spirit being just watching how their lives unfolded over time....Love isn't communicated the same way overseas as it is here. Many cultures communicate love sideways, through action and presence rather than declaration. When someone does declare it in a K drama it is almost like holding ones breath because it doesn't happen very much. So much of the emotion is held and shown in nuance, like the food prepared without explanation, or the meaningful glance.
The fantasy dramas where there are other worldly beings that come to earth and have to learn what it is like to be human, to be mortal, to love something they will eventually lose -- That is me, the 3rd culture kid turned into mythology. I am the one who alway came from somewhere else, some other place that was home temporarily but never permanent, learning to adapt, learning the local customs, loving the place fully knowing I would ultimately leave it. These stories unlock something inside -- No, these are not foreign to me,
I am watching something that finally speaks my native language.
A language I understand immediately.
K-drama writers are poets of the everyday. They sprinkle symbols and metaphors like little easter eggs throughout a series — you have to be paying attention, and I always am. Hollywood rarely trusts its audience that way. K-dramas do.
Food is never just food. Sharing a meal is an act of intimacy, of familial care, of love or comfort that doesn't know how to say its own name out loud. I miss that extension of hospitality from the countries I grew up in — the way someone felt genuinely honored if you accepted what they offered. Not obligated. Honored. There is a difference, and I haven't always felt that Americans get that.
Rain scenes are iconic in these dramas, and the umbrella is never just an umbrella. When a character offers one to another, the gesture says what the words cannot:" I've got you." I watched that kind of care expressed differently in every country I ever lived in — Colombia, Indonesia, Brazil, Portugal — but the genuineness underneath was always the same. It just wore different clothes.
The fantasy dramas really get me — the ones where otherworldly beings descend to earth and have to learn what it means to be mortal. To love something they will inevitably lose. I understand those characters in my bones. I was always the one arriving from somewhere else--always termporarily but also always knowing somewhere underneath that the goodbye was already scheduled with a date on a calendar. These stories don't feel foreign to me. They feel like my autobiography depicted as storytelling.
One drama in particular — My Mister — has stayed with me longer than most. In the final scene, two people who have quietly, profoundly shaped each other meet in a cafe. There is warmth. There is maturity. There is happiness. And there is restraint — that beautiful K-drama restraint that Hollywood would never allow. You spent the entire series wondering if love would declare itself. It never did. And it was perfect. Not unrequited love exactly. Just a little longing, left carefully in place, like a single candle kept burning in a window.
The constant reminder of having to say good bye reminds me of that 10 year old boy realizing he would never see any of his friends again. This was before internet, smart phones and technology that now connect all of us. The feeling of permanence of those good byes is something that my children might never know-- The sense of that permanent loss was crushing... I am not sure there is a single person that they cannot look up through social media and find today. Not a judgment, just an observation. It is quite wonderful when you think about it.
I guess while I can get lost in the stories, the script, the performances and the symbols, at the end of the day, I find myself feeling like home. Yes... Comfortable, as if understood by an unseen audience.
Back to the 10 year old boy who fantasized about becoming a ghost — floating back through the rooms he'd left, watching his friends grow up without him — never really stopped. He just got older and found a different way to travel. Late at night, when the house is quiet, he follows strangers through Seoul. He watches them carry their pain alone until they can't anymore. He watches them love sideways, through food and umbrellas and footsteps listened to in the dark. And something in him exhales, a knowing sigh.
Because the longing, it turns out, was never a wound. It was always a language. One I have been speaking my whole life, waiting for someone to speak back.
And then a writer in Korea did.

EVERBODY'S FREE
(TO WEAR SUNSCREEN) 12/06/1999
I was in my car when I first heard it and found it so
catchy. I had no idea who the artist was and like every other time I
have heard a great song on the radio, the DJ's didn't announce the name at the
end! (Ever happen to you?--drives me nuts!!) I remember how distinctively some
of the words and concepts in the song immediately felt "right on" to
me. I found myself trying really hard to listen intently while trying not to
get in a wreck at the same time. It was hard...
When I finally found out it was Baz Luhrman I
was thrown for a loop. I only knew him from his first movie "Strictly
Ballroom" which is one of my favorites. (*Highly recommended)
So, hearing a tune by him was odd and out of place, but yet
at the same time, it wasn't as he is such a versatile and creative individual.
In fact, I am not sure if he ever released any other record since, although he
is extremely musical and weaves it into all of his work. (Moulin Rouge was
incredibly interesting and his noveau modern interpretation of
Romeo+Juliet was another eccentric brilliant piece *Not for all).
I am not sure what hit me today that reminded me of this
most interesting little record, but as I pulled it out of the "cold
storage" for the first time in many many years I was hit by how much of it
still resounded in my bones.
There are nuggets of truth here, at least for me and I see
lots of application in my life. In fact, I found myself mentally highlighting
particular words and/or phrases that have meaning for me. In ended up
doing so in RED. Ironically, I must admit that I have actually taken and
pondered much of his advice, which he openly acknowledges as
"worthless", which is probably why I listened a bit more carefully
from the onset.
I encourage you to click on the link above and see the video
for yourself. I have posted the words below. I may elaborate on some
highlighted sections over time. Some now and some later..... Still need to
think about that.
I hope you enjoy as much as I have and if you don't, maybe
it will still make you think and do a self check on your own life.....are you
close or far? Noone says you have to be one or the other, but for me, I want to
be "close", so I keep checking in on myself to see if I am still
dancing.......no matter where I am.
Ladies
and Gentlemen of the class of ’97Wear Sunscreen
Sing
Don’t be reckless with other people’s hearts, don’t put up with people who are
reckless with yours.
Travel....
........But trust me on the sunscreen
How......?
Where.....?
Who is this most delightful visitor?
What is it about this tiny little person that can melt the hardest heart, bring the mighty to their knees and create an immediate reverance amongst beasts or mankind?
How can she do this...? How can she emotionally destroy us without making a sound? I do not know other than that she is not of this world. The world can create many beautiful things, but it can't create the unique and special aura and heavenly awe of a newborn baby.
No....this gift only comes from one place, and it isn't here.
How does she capture my gaze so instantly and intently. She isn't even trying..... She knows not what she does. If she is in the room all living things are drawn to her like a powerful magnetic draws metal. We turn off the TV. We find soft music, We drop what we are doing because all other tasks become irrelevant when this little princess shows up. We want to change the environment to suit the royalty that she is.
Completely helpfless......, yet commands control completely! What is this power that she wields so innocently that affects all. She is no respecter of persons, she is willing to share it all with anyone and willing to absorb any affection and love from anyone as well. She depends upon it. It is her nourishment, and she reflects it back in spades! We, the observer gets the best part of that trade for sure.
One single little coo can send her mom into the stratosphere! What happens when she figures out her first smile..... game over! It's like a little heart attack that jolts ones' heart.
To think that our Father in Heaven would grant this unexplainable experience that only He understands the totality of, with us. Maybe this is one of the only ways that we can relate to Him, by sharing a tiny glimpse of how He feels about each one of us..... times a trillion!
What do I see when I look at Miller......
She is selfless.........she is pure light..........Yes, she is perfection personified
In the prettiest package that could ever be presented.
Pink suits her just fine, no?
Miller, you have already done what you were supposed to do -- completely change our hearts and remind us of who we are and why we are here.
All hail to Baby M.